Fiction: But a Dream

Originally published in Garbled Transmissions.

I woke up screaming in the middle of the night. My mother rushed to my side to see what was wrong, but the dream had always faded away by then. Whatever monster had chased me through my sleeping mind had disappeared, becoming formless black shadow once again.

“Odakota, you don’t have to have these dreams,” she told me once. “You might be asleep, but you’re still in control. Just tell yourself you’re dreaming, and you’ll be able to decide what comes next.”

I nodded and lay back down, but I didn’t go back to sleep. I squeezed my eyes shut and held my breath until my mother’s soft snores floated across our small home. Then I stood up and tiptoed outside, wondering where I could hide from the monsters in my head.

We had been moving farther west each year as the white men continued to take the land for their own. Our tribe had started in the grasslands to the east. Now the prairies of our new home had grown dry. Looking out to the mountains further west, it seemed that we were pushing closer and closer to a wall.

I can’t remember how long I stood outside. When I finally turned to go back to bed, I found my father standing behind me. He stood tall, with well-carved muscles and hardened dark skin that seemed like leather. I craned my neck upwards and looked into his face. His dark eyes seemed like the deep black pools of my dreams.

“We’re a proud tribe,” he said, his deep voice scaring away the rushing wind. “Hiding from nightmares doesn’t become us.”

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Fiction: A Slice of Death

Originally published in Garbled Transmissions.

Sleep, those little slices of death. How I loathe them.” -Edgar Allen Poe

The world: all shadows and smoke. A body lies nearby, oozing life in all directions. Concentric circles of blood and color mix with the blackness of the surrounding world. He squints without eyes, trying to make out details. The corpse is far away and getting farther, a view from another existence. He does not see the vehicle responsible for the scene, nor does he notice the EMT trying to resuscitate the dead man. The body is the focus of his world, a lone piece of debris in a world painted black. He thinks that maybe the body used to be him. Or maybe it used to be a complete stranger. He imagines himself as a spectral rubbernecker.

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Doctor Who’s Storybook Season

Doctor Who just finished Season One…which is really Series 14 or Season 40, depending on how you count. The season offered many new features, from a new Doctor played by Ncuti Gatwa to more money behind the scenes courtesy of a deal with Disney. It also offered new (or at least underexplored) themes to the show, including a heavy lean toward the supernatural.

If there’s one thing that defines this most recent season of Doctor Who, it’s the theme of stories. The season is structured like a fairy tale, and the stories the characters experience–and one they invent–drives the narrative of the Doctor’s latest adventure.

To illustrate what I mean, let’s go episode by episode through the tale of Ruby Sunday.

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Fiction: An Hour Off

Originally published in The Lyndon Review.

I woke up in bed next to a naked woman. Not a Hollywood-style naked woman with skin smelling like fresh soap and the blanket conveniently covering her nipples to keep a PG-13 rating. Instead it was a northern Vermont-style naked woman, with breasts like old yogurt and a small puddle of drool soaking into her pillow. She tightened her grip on the blanket as I eased myself to the waking world. When I saw her reddened knuckles, I began wondering where I was.

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Fiction: Fantasy As You Like It

Originally published in the Chaffin Journal (as Charlie Martin)
Winner of the 2006 Chaffin Award for Fiction

A man in a lab coat stands in the middle of the desert. His mouth hangs open in an extended scream as his body twists and grows. His glasses fall off and his clothes tear at the seams. American soldiers surround him on all sides, their jaws slack in shock as they watch an ordinary man become a seven foot tall gray-skinned behemoth. A giant question mark hangs in the air behind the scene, invisible to all but the reader and posing one apparently all-important question.

IS HE MAN OR MONSTER OR…IS HE BOTH?

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New Publication: Looking for Love

A strange heart-shaped cavern lies in a remote spot by the sea. Music permeates the area, as though coming from the stones themselves. At the center of the grotto stands a trio of statues. Are they the source of the strange music? Many have sought to learn the secrets of the melody, and the adventurers may be the ones to unravel it…for good or ill.

“Looking for Love” is my latest mini-adventure for En5ider, a weekly publication that offers new options and stories for any D&D campaign. This scenario, crafted for 5th-level characters, provides a mystery in a seaside cavern with several possible conclusions.

When you buy into the En5ider Patreon, you get access to this adventure and almost 600 other articles. Check it out here!

Doctor Who’s Emotional Growth (Revival Era)

Continued from last time, the Doctor ended his classic era as a fairly well-rounded individual…or as well-rounded as the Doctor ever gets, at least. Paul McGann’s Eighth Doctor was a culmination of the classic Doctors that had showcased the series from 1963 to 1989. He was brilliant, compassionate, quirky, and more open with his emotions than he had ever been before.

Then the Time War happened.

Between the 1996 TV movie and the 2005 series revival, the Time Lords of Gallifrey went to war with the Daleks of Skaro and nearly destroyed the universe in the process. Off-screen, the Doctor ultimately made the decision to destroy both sides, leaving him as the last of his people and carrying the weight of a double genocide on his conscience.

The revival era Doctor is basically a person going through the stages of grief. More dangerous and volatile than before, they were no longer a mere explorer but often verged on being a vengeful god–someone who wanted to save lives, but who could do terrible things when angered.

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Doctor Who’s Emotional Growth (Classic Era)

The Fifteenth Doctor has landed, and he seems to be the most emotionally healthy version of the character that we’ve seen in the show’s 60-year history. Still carrying his flaws and trauma, he has nonetheless shown openness about his past and a willingness to express his emotions rather than hide behind a stoic facade.

While the Doctor will undoubtedly have new traumas and occasional reversions in personality in the years to come, a relatively healthy Time Lord is a refreshing change for the character. It’s also a culmination of 15 different regenerations, each of which shaped him into the man he is today.

While the concept of regeneration is mostly a conceit to keep the show going even after the departure of a lead actor, the long-running nature of Doctor Who allows a bigger scope for character development than you typically find in serial fiction. Each of the Doctor’s previous incarnations made him the person he is today, and this is how.

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A Kind of Magic: Highlander: The Search for Vengeance

There is one more.

Twenty-one years after the original Highlander showed off potential that would never be fully realized, a decade after the TV series had hit the skids, I watched the Russian version of Highlander: The Source and completely gave up on this franchise. Then, in the midst of my throes of agony, someone tipped me off as to the existence of an anime called Highlander: The Search for Vengeance.

This movie has all the elements that make up a bad Highlander film. A post-apocalyptic future. Magic. Ghosts. But you know what? It is awesome.

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