As of 2026, Doctor Who is going through a bit of a tough stretch. For the first time since the show came back in 2005, fans don’t have a new season to look forward to. While 2026 promises a holiday special that will hopefully explain why Billie Piper showed up on the TARDIS, there have been no announcements of a new Doctor or even a hint of the series continuing in 2027 and beyond.

But the show’s been off the air before, and hope will always spring eternal that it regenerates again in the future. And while fans wait anxiously for news of the TARDIS’ next voyage, I can’t help but glance backward at the last time the series went off the air. Classic Doctor Who might be known mostly for its low budget effects and outlandish costumes, but it has many elements that I enjoyed and which I would love to see come back in the modern era.

Continue reading “Things I Miss from Doctor Who’s Classic Era” →

When a “true fan” of Doctor Who wants to get really pedantic, they’ll correct a casual viewer who accidentally calls the title character Doctor Who rather than just the Doctor.

“Well, actually…his name is just the Doctor.”

And that’s kind of true. Usually in the show, the mysterious Time Lord is simply known as the Doctor. But sometimes they go by Doctor Who, as well. And no, I’m not talking about the Peter Cushing version…or the fact that the end credits of every episode for 26 years credited the main character as “Doctor Who.”

Here’s a few examples of when the Doctor added the “Who” surname.

Continue reading “They Call Him Doctor Who” →

^{Spoilers for Doctor Who, up through June 2025, below.}

The Disney+ era of Doctor Who will be the subject of much debate in the years to come, but one thing that feels certain to me is that Russell T. Davies nailed the casting of the Doctor by picking Ncuti Gatwa. With supreme charisma and talent, Ncuti presented a Doctor who was both familiar and much evolved from his previous incarnations. More emotionally open and at peace with himself, he nonetheless had the sort of flaws and inner conflict that we’ve come to expect from our favorite Time Lord.

Unfortunately, all things end, and Ncuti’s Fifteenth Doctor departed long before many were ready to see him go. So now that his era has come to a close, here’s some reflections on the Fifteenth Doctor’s era and what comes next.

Continue reading “Doctor Who: Fifteen Thoughts on the Fifteenth Doctor’s Era” →

In November 1963, the world got its first taste of Doctor Who. The first serial, often known by the name of its first episode “An Unearthly Child,” brought a pair of schoolteachers to a junkyard to investigate a strange student of theirs and wound up sending them careening through space and time. It set the formula for many stories to come, served as a key moment in the character arc of the mysterious Doctor, and is generally a must-watch for those who want to get a feel for the classic series.

What makes “An Unearthly Child” so great? Here’s my take on a few of the key elements.

Continue reading “Doctor Who: An Unearthly Pilot” →

Doctor Who just finished Season One…which is really Series 14 or Season 40, depending on how you count. The season offered many new features, from a new Doctor played by Ncuti Gatwa to more money behind the scenes courtesy of a deal with Disney. It also offered new (or at least underexplored) themes to the show, including a heavy lean toward the supernatural.

If there’s one thing that defines this most recent season of Doctor Who, it’s the theme of stories. The season is structured like a fairy tale, and the stories the characters experience–and one they invent–drives the narrative of the Doctor’s latest adventure.

To illustrate what I mean, let’s go episode by episode through the tale of Ruby Sunday.

Continue reading “Doctor Who’s Storybook Season” →

Continued from last time, the Doctor ended his classic era as a fairly well-rounded individual…or as well-rounded as the Doctor ever gets, at least. Paul McGann’s Eighth Doctor was a culmination of the classic Doctors that had showcased the series from 1963 to 1989. He was brilliant, compassionate, quirky, and more open with his emotions than he had ever been before.

Then the Time War happened.

Between the 1996 TV movie and the 2005 series revival, the Time Lords of Gallifrey went to war with the Daleks of Skaro and nearly destroyed the universe in the process. Off-screen, the Doctor ultimately made the decision to destroy both sides, leaving him as the last of his people and carrying the weight of a double genocide on his conscience.

The revival era Doctor is basically a person going through the stages of grief. More dangerous and volatile than before, they were no longer a mere explorer but often verged on being a vengeful god–someone who wanted to save lives, but who could do terrible things when angered.

Continue reading “Doctor Who’s Emotional Growth (Revival Era)” →

The Fifteenth Doctor has landed, and he seems to be the most emotionally healthy version of the character that we’ve seen in the show’s 60-year history. Still carrying his flaws and trauma, he has nonetheless shown openness about his past and a willingness to express his emotions rather than hide behind a stoic facade.

While the Doctor will undoubtedly have new traumas and occasional reversions in personality in the years to come, a relatively healthy Time Lord is a refreshing change for the character. It’s also a culmination of 15 different regenerations, each of which shaped him into the man he is today.

While the concept of regeneration is mostly a conceit to keep the show going even after the departure of a lead actor, the long-running nature of Doctor Who allows a bigger scope for character development than you typically find in serial fiction. Each of the Doctor’s previous incarnations made him the person he is today, and this is how.

Continue reading “Doctor Who’s Emotional Growth (Classic Era)” →

Spoilers for “The Power of the Doctor” follow.

Patrick Troughton had one of the hardest jobs of any actor to play the Doctor; he had to follow the original. Had he failed, Season Four of Doctor Who would have gone down as a forgettable failed experiment. The science fiction series would have died in the 1960s after the lead actor, William Hartnell, was forced out due to his health issues. But Troughton, an amazing character actor, succeeded by all measures, proving that the show could regenerate and renew itself as needed.

Troughton created a Second Doctor who was most unlike his predecessor, delving into silliness and acting the fool where the First Doctor almost always remained dignified and serious. At the same time, Hartnell had imbued the character with a sense of humor and a streak of childlike curiosity that came to serve as the Doctor’s core across many iterations. Playing a younger and re-energized Doctor, Troughton ran with that sense of fun. To cement this, one of the first things he did was to pick up a recorder and start playing tunes. That instrument became the Second Doctor’s signature, even more so than his use of the sonic screwdriver and the tendency of offering people Jelly Babies (something that Troughton did first before Tom Baker’s Fourth Doctor adopted it as his own).

Troughton played many tunes on his recorder, but I’m going to focus on one specifically here: “The Skye Boat Song,” which he first played in “The Web of Fear.” That performance is recognizable enough that it got a reprise in 2022’s “The Power of the Doctor,” and it carries more significance than meets the eye.

Continue reading “Doctor Who and the Skye Boat Song” →