The Infinity Engine and Beyond: A Look Back at Classic D&D cRPGs

The success of Baldur’s Gate 3 has Hasbro seeing potential gold mines in the video game industry. Unfortunately for them (and us), Larian Studios won’t be working on more Baldur’s Gate games. Not to be deterred, Hasbro is investing $1 billion in new D&D computer RPGs, hoping to catch lightning in a bottle several times over. It’s amusing in its own way, because the company had a pipeline of consistent high-quality video games for a solid decade and let that dry up.

While D&D has seen several periods of success in the video game industry, the one that I experienced directly was the string of releases between Baldur’s Gate, which came out in 1998, and Neverwinter Nights 2, which saw its last official expansion in 2009. Developed mostly by Bioware (and the now-defunct Black Isle Studios), these games expanded the genre in sometimes innovative ways and delivered a consistently fun D&D experience on personal computers.

I’m going to touch on each of the games I’ve played, which covers all the D&D cRPG games released from 1998 through 2009 with the exception of Pool of Radiance: The Ruins of Myth Drannor, The Temple of Elemental Evil, and Icewind Dale 2. The latter two games sit in my GOG account waiting to be played in the future. As to Pool of Radiance…well, based on the reviews I’ve read I might just go back in time and play the SSI “Gold Box” games instead.

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Why Don’t We Have More Good D&D Video Games?

The approaching full release of Baldur’s Gate III has a lot of gamers very hyped, and for good reason. It’s a high-end video game utilizing the ever-popular Dungeons & Dragons system…and it feels like it’s been forever. While fans got an expansion to an old classic with Baldur’s Gate: Siege of Dragonspear in 2016, there hasn’t been an actual proper stand-alone D&D cRPG since Sword Coast Legends in 2015…and you have to go all the way back to Neverwinter Nights 2 to find one that was well-received.

Why the long layoff in titles and the difficulty in creating a solid game bearing the D&D trademark? With excellent cRPGS like Dragon Age and Pillars of Eternity out there, why can’t the grandparent of all role-playing games follow suit? The answer, in my opinion, boils down to resources, creative restrictions forced by the property, and good old-fashioned corporate politics.

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